As Long As They Can Blow.
Interracial Recording in Jazz Before 1935
And Other Jive
As Long As They Can Blow.
Interracial Recording in Jazz Before 1935
And Other Jive
As Long As They Can Blow.
Interracial Recording in Jazz Before 1935
And Other Jive
As Long As They Can Blow.
Interracial Recording in Jazz Before 1935
And Other Jive
The overarching goal of As Long As They Can Blow is to show the mutual respect that black and white jazz musicians had for each other and how a shared love of the music and the relative privacy of the recording studio resulted in hundreds of early interracial jazz recordings.
At the heart of this book is the first discography of pre-1935 interracial jazz recording sessions ever put together and a concise list that can be used for quick access to those sessions. There is a brief history of the recording industry, emphasizing the question of race, as well as a list of formal and informal interactivity between black and white jazz musicians outside the recording studio. Finally, there is a piece in the voice of Mezz Mezzrow and one in the voice of Eddie Condon, both of whom were active in interracial sessions. The facts are there, but the author uses techniques of creative non-fiction to put them into story form.
Stephen Provizer is a musician (brass) who has been writing about jazz since the 1990’s. His work can be found in publications like Coda, Downbeat, Syncopated Times, AllAboutJazz.com, Forward, Artsfuse.org and at his blog--brilliantcornersbostonjazz.blogspot.com.
He wrote, produced and directed a radio play called The Amazing Story of Strange Fruit, about the seminal creation of that recording by Billie Holiday.
The price of the paperback book is $14.99
ISBN 9798892923729
The price of the ebook is $5.00
ISBN 9798892923743
https://books2read.com/jazzsessions
A review of the book is now up at:
The price of the .pdf download is $5.00. Contact me directly to get the .pdf.
I recently did an interview about the book which is the cover story in the April, 2024 issue of
Syncopated Times.
You can access the article at syncopatedtimes.com
It's the finest publication of its kind and I heartily suggest that anyone interested in older jazz subscribe.
George Walker and Bert Williams were a performing team who recorded backed by white studio musicians. Williams went on to become a star, famous for "Nobody."
1/10
Mound City Blue Blowers: Glenn Miller (tb) Pee Wee Russell (cl) Coleman Hawkins (ts) Eddie Condon (bj) Jack Bland (g) Pops Foster (b) Gene Krupa (d) Red McKenzie (comb,vcl) New York, November 14, 1929.
Louis Armstrong-tp/Jack Teagarden-tb/Happy Caldwell-ts/Joe Sullivan-p/ Eddie Lang-g/Kaiser Marshall-d. New York, March 5, 1929. Read in my book the way Eddie Condon was instrumental in setting up this session.
Fats Waller And His Buddies: Charlie Gaines (tp) Charlie Irvis (tb) Arville Harris (cl,as) Fats Waller (p) Eddie Condon (bj) New York, March 1, 1929. as described in my book, Condon was supposed to babysit Waller,
but it didn't really turn out that way.
If you have questions, comments or want to add something to the site, let me know
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